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Nōgakuzue, Hanjo

Nōgakuzue, Sotoba Komachi

 Japanese Color Woodblock Print


(The Girl Whose Lover Went Away)

from the series Nōgakuzue

by Tsukioka Kōgyo, 1898

Nōgakuzue, Kazuraki

IHL Cat. #887

About This Print

One of 261 prints from the series Nōgakuzue (Illustrations of Noh).  The print depicts a scene from the Noh play Hanjo (The Girl Whose Lover Went Away), attributed to the playwright Zeami Motokiyo (1363-1443), in which Hanjo searches for her lover.

For background on the Noh theater see the article on this site "Noh - A Brief Summary by Beata Kubiak Ho-Chi".

The Play - Hanjo

Source: Scripps College Ruth Chandler Williamson Gallery website http://web-kiosk.scrippscollege.edu/Obj20860
In this play, two lovers are forced to part. They exchange fans, representing the promise of their future reunion. Hanago soon becomes heart-stricken and can do nothing more but look longingly at the fan that her lover has left behind. Thus she is nicknamed Hanjo, a name taken from the Chinese story about Han Shoyo. According to the Chinese story, when Han Shoyo was replaced by another woman as the emperor’s favorite, she wrote a poem comparing herself to a fan: once treasured during summer, the fan is quickly abandoned in autumn. This print depicts Hanjo’s lonely, passionate, and even obsessive search for her lost love. At the end of the play, Hanjo’s lover identifies her by the fan that she has placed inside her robe and over her heart. They are once again united.

Source: A Guide to No, P.G. O'Neill, Hinoki Shoten, 1929, p. 50-51.
A woman in charge of an inn at Nogami in the province of Mino complains that since Hanago, one of the girls there, formed an attachment with Yoshida no Shōshō when he passed through there in the spring, she has refused to wait on other guests.  She therefore calls Hanago to her and tells her that she must leave.  Thus, when Yoshida calls at Nogami for her on his way back to the capital, he finds her gone.  Sadly returning to the capital alone, he goes straight to the Shimo-Kamo Shrine to pray that they may meet again, and while he is there a mad woman comes and dances.  As she does so, Yoshida notices her fan and, sending his servant to bring it to him, finds that it is the one which he gave to Hanago in exchange for hers as a token of his love, and that the woman is indeed Hanago.  He then shows here the fan he carries and the two are happily reunited.

For more details of this play see the-NOH.com website http://www.the-noh.com/en/plays/data/program_034.html

Noh performance of Hanjo
Copyright 1998-2008, Global Performing Arts Consortium. Courtesy of Karen Brazell; All Rights Reserved.

Right Margin Description of Scene

click on image to enlarge

Print Details

 IHL Catalog  #887
 Title  Hanjo 班女 (The Girl Whose Lover Went Away or Fan of the Lost Lover)
 Series  Nōgakuzue 能樂圖繪 (Illustrations of Noh)
 Tsukioka Kōgyo (1869-1927)
Kōgyo 耕 漁
White letter seal in a rectangular shape with double border: 湖畔 [Kohan]
 Date Date is trimmed from this print.
Ritsumeikan ARC gives the dates of printing and issuance of their print (arcUP0840), as follows:
September 10
, 1898 (Meiji 31)
Date of printing: September 10, 1898
Date of issuance: September 20, 1898
 Edition  unknown
 Publisher  Matsuki Heikichi (Daikokuya Heikichi 大黒屋平) [Marks: pub. ref. 029]
 (note: left margin which normally contains the publisher's information is trimmed on this print.)
 Impression  excellent
 Colors  excellent
 Condition  good - backed by heavy paper; left margin trimmed
 Genre  ukiyo-e
 Miscellaneous  silver metallic highlights and embossing on robe and gold metallic highlights on fan border
 Format  oban yoko-e
 H x W Paper  9 1/2 x 14 in. (24.1 x 35.6 cm)
 H x W Image
 8 3/4 x 12 7/8 in. (22.2 x 32.7 cm) area within printed black border
 Collections This Print  Art Institute of Chicago 1939.2258.67 (titled "Banjo"); Art Research Center, Ritsumeikan University AcNo.arcUP0910; University of Pittsburgh 20091209-kogyo-0234
 Reference Literature