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Nōgaku hyakuban, Yumi Yawata

 

 Japanese Color Woodblock Print

Yumi Yawata 弓八幡

(The Bow at Hachiman)

No. 120 from the series Nōgaku hyakuban

by Tsukioka Kōgyo, 1926


IHL Cat. #152

About This Print

One of 120 prints issued as part of the series Nōgaku hyakuban (One Hundred Prints of Noh), it depicts a scene from the play Yumi Yawata by the playwright Zeami Motokiyo (1363-1443).  "In the print, the god dances.  The drum player is on the right, along with two retainers.  This work...represents an open-air night performance (takigi nō), which according to the inscription, Uzen no kuni, Kurokawa Nō, was held during the Kurokawa festival in the province Uzen no kuni (Tsuroka [Yamagata])."1

This print was originally released by the publisher Matsuki Heikichi in the 40th and final installment of prints in this series.  This series' prints were offered in monthly installments consisting of three prints packaged in an envelope with additional descriptive information.2

The Play - Yumi Yawata (The Bow at Hachiman) by Zeami

Yumi Yawata is a two act play centering on a warrior’s bow wrapped in a brocade bag.  The maejite, an old man, appears with the bow at the Iwashimizu Hachiman Shrine in Kyoto and presents it to the waki, a retainer of the Ex-Emperor Gouda (1267-1324), to be offered up to His Majesty.  As the shite explains: “Among the historical precedents of the land of China, brought to peaceful rule under the Zhou, one finds the precedent of wrapping one’s bow and arrows in a bag and shutting away one’s lance and shield.  Accordingly, I have stuffed this bow into a bag and put my sword away in a box; these very actions are a sign of our lord’s age of great peace.”3

According to the recorded words of Zeami, the author of the play, the play was written “in honor of the inaugural celebration for the reign of the present shogun."  However, it has been surmised that the play has imperial overtones and is anti-shogunal, the following passage (sung by the shite) being cited:

May the emperor’s reign endure
For a thousand years,
For thousands of years,
Till small pebbles become a large boulder
Covered with moss.
May it endure forever
Like the color of the pine needles
On Eternity Mountain.
The azure sky is calm,
The emperor secure,
The people are kind-hearted,
Passes have not been closed.
From the beginning, our has been a land
Where the gods protect the emperor
The vow of this god in particular
Illumines the night
Like the light of the moon.
The waters of Iwashimizu flow ceaselessly,
And as long as the stream runs on
Living beings are released.
How glorious is the god’s compassion!
Truly this is an auspicious time.4

1 The Beauty of Silence: Nō and Nature Prints by Tsukioka Kōgyo (1869-1927), Robert Schaap & J. Thomas Rimer, Hotei Publishing, 2010, p. 94.
2 “The series Nogaku hyakuban (100 No plays) by Tsukioka Kogyo (1869-1927),” Claus-Peter Schulz, Andon
67, Society for Japanese Arts, p. 28.
3 Zeami's Style: The Noh Plays of Zeami Motokiyo, Thomas Blenman Hare, Stanford University Press, 1986, p. 104.
4 Theatricalities of Power: The Cultural Politics of Noh, Steven T. Brown, Stanford University Press, 2001, p. 95-96.

One of Thirteen Prints from The Lavenberg Collection

loaned to the Portland Art Museum for the

Special Exhibition

NOH Dance Drama of the Samurai NOV 17, 2012 – FEB 24, 2013


Print Details

 IHL Catalog #152
 Title Yumi yawata 弓八幡 (The Bow at the Hachiman Shrine)
 Series Nōgaku hyakuban 能楽百番 (One Hundred Prints of Noh or One Hundred Noh Plays)
 Artist 
 Tsukioka Kōgyo (1869-1927)
 Signature 
 Kōgyo
 Seal
Kōgyo, seal no. 49, p. 171 in The Beauty of Silence: Nō and Nature Prints by Tsukioka Kōgyo (1869-1927), Robert Schaap & J. Thomas Rimer, Hotei Publishing, 2010.
 Date September 1926
 Edition unknown
 Publisher Matsuki Heikichi (Daikokuya)
 Carver 
 Impression excellent
 Colors excellent
 Condition good - backed and trimmed
 Genre ukiyo-e
 Miscellaneous Portland Art Museum loan number L2012.113.14
 Format oban tate-e
 H x W Paper 14 5/8 x 9 5/8 in. (37.1 x 24.4 cm)
 Collections This Print Scripps College 2007.1.50; Art Institute of Chicago 1943.833.50
 Reference Literature The Beauty of Silence: Nō and Nature Prints by Tsukioka Kōgyo (1869-1927), Robert Schaap & J. Thomas Rimer, Hotei Publishing, 2010, p. 94.
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