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Nezu Shrine

Tsuchiya Kōitsu (1870-1949)
 

Japanese Color Woodblock Print

Nezu Shrine

by Tsuchiya Kōitsu, 1934

Tsuchiya Kōitsu (1870-1949)


IHL Cat. #1191

About This Print

Originally released in December 1934, this collection's print lacks any publisher seals making its likely printing date sometime between 1960 and the early 1990s. There is at least one other state of this print, as shown below.



While Kōitsu was a master in rendering light, the rendering of the light in the above state of the print is a bit surreal, with the glaring yellow electric light dominating the design.  I much prefer the more subtle handling of the light evident in this collection's print.  I have seen one pre-WWII print (based upon the publisher seals) that is similar to this collection's print, suggesting the original edition may have used the subtler coloration.

Nezu Jinja
Source: Japan: the Official Guide, Japan National Tourism Organization website www.jnto.go.jp/eng/location/spot/shritemp/nezujinja.html
The Nezu-jinja Shrine is said to have been established over 1,900 years ago by the legendary priest Yamato Takeru no Mikoto in Sendagi with Susanoo no Mikoto as the chief deity. In the Edo Period (1600-1867), the 5th shogun Tsunayoshi relocated it from Sendagi to Nezu to commemorate the adoption of Ienobu as his successor and the 6th shogun Ienobu chose it as the guardian deity. The Gongen-style architectures (typical of modern shrines) of Honden (main sanctuary), Haiden (worship hall), Heiden (offering hall), Karamon (Chinese-style gate), Romon (two-story gate) and Sukibei (lattice-windowed wall) are designated as nationally Important Cultural Properties.

Print Details

 IHL Catalog #1191
 Title Nezu Shrine 根津神社
 Series originally released as part of the series Tokyo Views 東京風景
 Catalogue Raisonné Koitsu.com site reference TK-DH-16 
 Artist 
 Tsuchiya Kōitsu (1870-1949)
 Signature 
K
ōitsu followed by shin 真 seal
 Seal shin 真 (see Signature above)
 Publication Date originally issued December 1934 (Showa 9).  This print is a later impression, produced after the artist's death. (See note under Publisher below.)
 Edition post-WWII 
 PublisherDoi Hangaten - 土井版画店 (Doi Sadaichi 土井貞一)
Note: No publisher's seal is present on this print.  According to the Koitsu.com website http://www.koitsu.com/Research/dating_koitsu_prints/dating_koitsu-prints.htm the absence of a publisher seal indicates an unauthorized printing.
To quote:
"Based on an analysis of the Koitsu prints saved in my Koitsu database I would estimate around 20% of Doi-published Koitsu prints do not have any publisher seals. If your print has publisher seals they will be found in the lower area of the left margin and look similar to those shown below in the Doi section. Dating evidence suggests these appeared in the market as far back as the late 1960s until the 1990s. There was only one printer active during all this time, Seki, who was dismissed by Doi Eiichi in the early 1990s for "activities that undermined the Doi publishing house" (no doubt selling unsealed prints on the side was a part of that activity). If your Doi print has no publisher seals in the lower left margin it dates to this period."
 Carver 
 Printer 
 Impression excellent
 Colors excellent
 Condition excellent - tape remnants top verso
 Miscellaneous

 Genre shin hanga (new prints)
 Format oban tate-e
 H x W Paper 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm)
 H x W Image 15 7/16 x 10 1/8 x in. (39.2 x 25.7 cm)
 Collections This Print 
 Reference LiteratureThe Catalogue Raisonne of Tsuchiya Koitsu Meiji to Shin-Hanga, Watercolours to Woodblocks, Ross F. Walker and Toshikazu Doi, Ohmi Gallery Publishing, 2009.

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