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Takagi Shiro (1934-1998)

Prints in Collection

 
 
Castle, 1970
IHL Cat. #492
 
People of the Snow Country, 1978
IHL Cat. #639


Biographical Data


Biography

Source: Guide to Modern Japanese Woodblock Prints: 1900-1975, Merritt, Helen and Nanako Yamada, University of Hawaii Press: Honolulu, 1992 p. 142; Contemporary Japanese Prints, George Kuwayama, Los Angeles County Museum of Art,  1972, p. 187; 44 Modern Japanese Print Artists, Gaston Petit, Kodansha International Ltd., 1973, p. 142-143.

undated photo
Takagi Shirō 高木志朗 (1934-1998)
The artist, born in Hirosaki in Aomori Prefecture, attended Musashino College of Fine Arts in Tokyo but left in 1958 because of  “academic disciplines which bore no relation to the artist’s ideals… [and] the nonexistence of a print faculty.” (Petit)  He studied moku hanga (woodblock prints) with Amano Kunihiro (b. 1929), but is largely self-taught.

Takagi exhibited with the Nihon Hanga Kyokai and the Kokugakai artist societies and was a member of the Nihon Hanga Kyokai from 1961.  His work was in numerous international competitions and he won awards from the Japan Print Association in 1960 and the Sao Paulo Biennnale in 1967.
His work has been divided by commentators into two phases - before 1971 his predominant pallet was reds and ochres used primarily in abstracted
landscapes and post-1971 his work is more representational and green was added to his pallet.

In commenting on the artist’s work the woodblock artist and critic Gaston Petit writes:
“With the world of art spread before him, he sought a purely Japanese identification…. His patient self-training has guided him in measuring the full dimensions of a print and of all those qualities which coalesce to make it a work of art.”

Collections (Partial List)
British Museum; Los Angeles County Museum of Art; Carnegie Museum of Art