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Picture of the First Soldier on Top of Pyongyang Gate

Japanese Color Woodblock Print 

Picture of the First Soldier on Top of

Pyongyang Gate

by Taguchi Beisaku, 1894


IHL Cat. #845

About This Print

Likely a depiction of Harada Jukichi on top of the Genbu Gate fort.  For another print depicting Harada see IHL Cat. #93 Harada Jukichi Opens the Genbu Gate from Within the Fort at Pyongyang.

Saga of Harada Jukichi

Source: Impressions of the Front: Woodcuts of the Sino-Japanese War, Shunpei Okamoto, Philadelphia Museum of Art, 1983, p. 24
Pingyang (Pyongyang) was well protected by walls that had to be surmounted in order to conquer the city.  Repeated frontal attacks by the Japanese failed to penetrate, even after exhausting all their ammunition.  One volunteer in the Eighteenth Regiment, twenty-seven year-old Harada Jukichi of Aichi prefecture, a mild man with a wife and a daughter, saw his regiment fail three times to penetrate the fortification and fearlessly scaled the wall of Gembu Gate.  Harada lowered himself into the midst of the enemy and opened the gate from within.  His comrades them flooded into the enemy fort.  Harada's action was considered so meritorious that he was immediately promoted to the rank of superior private.  Harada's deed was widely celebrated in poems and prose.  A particularly famous song includes this verse:

Diving under bullets thicker than rain,
he scrabbles up the castle wall,
like a 
monkey and lightly jumps inside; 
this man is none other than Mr. Harada Jukichi
following him, platoon commander Mimura

Harada received the Order of the Golden Kite for his feat, but his honor proved overwhelming.  He began a life of drunken dissipation and later was employed in the theater district reenacting his deed of heroism at Gembu Gate.  The military authorities are said to have rebuked him for soiling the honor of the imperial army.  It is also said that the soldier who actually climbed the gate first was Matsumura Aktaro, not Harada.  Since Harada had already been decorated, this embarrassing fact was silenced.  Matsumura was intimidated by the authorities and did not disclose the incident but secluded himself in his father's antique shop seeking truth among the collection of antiques.


Print Details

 IHL Catalog
 #845
 Title or Description  Picture of the First Soldier on Top of Pyongyang (Hyonmu) Gate in Pyongyang
(平壌玄武門兵士先登之圖 Heijō Genbumon heishi sentō no zu)
 Artist  Taguchi Beisaku (1864-1903)
 Signature  Beisaku
 Seal  none
 Publication Date  October 1894
 Publisher  Inoue Kichijirō 井上 吉次郎 [Marks: seal not shown; pub. ref. 159]
 Impression  excellent
 Colors  excellent
 Condition good- full-size and unbacked; extensive wrinkling; light toning; several stains
 Genre  ukiyo-e - senso-e (Sino-Japanese War); Meiji era
 Miscellaneous  
 Format  vertical oban triptych
 H x W Paper
 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm) each sheet
 Literature
 Impressions of the Front: Woodcuts of the Sino-Japanese War, Okamoto, Shumpei, Philadelphia Museum of Art, 1983, p. 24, pl. 18; The Sino-Japanese War, Nathan Chaikin, self-published, 1983, p. 74., pl. 40.
 Collections This Print
 Museum of Fine Arts, Boston: Jean S. and Frederic A. Sharf Collection 2000.193a-c; Philadelphia Museum of Art 1976-75-3; Waseda University Library チ05 03893 0006; National Diet Library 8-5-1-2 04-19, 20, 21; British Library shelfmark: 16126.d.2(82) and 16126.d.3(20)

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