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Princess Kinshōjo in Kokusenya Kassen from Woodblock Print Supplements to the Complete Works of Chikamatsu

Kikuchi Keigetsu (1879-1955)

Japanese Color Woodblock Print 

Princess Kinshōjo in Kokusenya Kassen

from Woodblock Print Supplements

to the Complete Works of Chikamatsu

by  Nishiyama Suishō, 1922-1923

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IHL Cat. #147

About This Print

One of 18 prints published from 1922 to 1923 as part of the celebration of the two-hundredth anniversary of the death of Chikamatsu Manzaemon (1623-1724), perhaps the greatest dramatist in the history of the Japanese theater. Each design illustrates a scene or character from one of Chikamatsu’s famous works.  For more details on this series go to Woodblock Print Supplements to the Complete Works of Chikamatsu.

Interestingly, in 1921, prior to this print being issued, the artist created the following hanging scroll depicting the same scene.
Kinshōjo, 1921
color on silk・hanging scroll
The National Museum of Modern Art, Kyoto



Detail of use of metallic ink in hairpiece and robe

The Story of Kokusenya Kassen

In 1705, for reasons unknown, Chikamatsu turned his energies exclusively to writing puppet plays. He moved to Osaka, the center of the joruri world, and became staff playwright at the Takemotoza. While Shakespeare probably never considered writing for puppets, it is notable that, like the bard, Chikamatsu did often write historical plays. Kokusenya Kassen (The Battles of Co Xin Ga), for example, is loosely based on the adventures of a Chinese-Japanese who attempted to restore China's Ming Dynasty.

Source: Website of Osaka Prints http://www.osakaprints.com/content/artists/info_pp/hironobu_info/hironobu_04a.htm (note link is no longer accurate)
Kokusenya kassen (Battles of Kokusenya), written by Chikamatsu Monzaemon (1653-1724), has long been considered a masterpiece of the puppet theater (jōruri or bunraku). First staged in 1715, it remains unsurpassed as the most successful play in the history of jôruri. A kabuki version was first staged in 1716.
 
The hero Watōnai Sankan, a fisherman by trade, was also the son of Ikkan, a former Ming minister who had been exiled to Japan. Trained in military strategy, Watōnai travels with Ikkan to China to aid a princess named Sendan, younger sister of the Chinese emperor murdered by the Tartars. Their intention is to fulfill his father's promise to restore the Ming dynasty and place Sendan on the throne. Once there, they find Ikkan’s daughter and Watōnai's half-sister, Kinshōjo, married to a general named Kanki, of Ming ancestry but allied with the Tartars. Kinshōjo, loyal to her father and Watōnai, agrees to ask Kanki to join Watōnai, but she has them wait outside the Lion Castle for a sign of her husband's intentions: a powder — white for "yes" and red for "no" — to be tossed into cascading water flowing down to the castle moat. Kanki is sympathetic to her request but cannot take advice from a woman on military matters, as it would bring shame upon himself and his descendants. He is also bound by a promise he has made to the Tartars to kill Watōnai. Always the warrior, Kanki considers murdering his wife to quell any rumors of his being a coward, but is dissuaded by Kinshōjo's stepmother (Watōnai's Japanese mother, who was allowed to enter the castle to plead their cause).

In the most celebrated scene — called beni nagashi shishigajō ("the red signal inside the castle") — Kinshōjo stabs herself and, in place of the red powder, lets her blood flow into the conduit. Her death will free Kanki to fight the Tartars. Upon seeing the "red signal," Watōnai bursts into the Lion Castle to confront Kanki, whereupon the two become allies and Watōnai is given the name Kokusenya, Lord of Enpei.



Print Details

 IHL Catalog  #147
 Title or Description  Princess Kinshōjo in the play Kokusenya Kassen (note: the MFA, Boston lists the title of this work as The Sister of Watōnai Committing Suicide, a specific scene in the play, as described above.)
 Series  Woodblock Print Supplements to the Complete Works of Chikamatsu
 Dai Chikamatsu zenshu furoku mokuhan 大近松全集 付録木版
 Artist
 Nishiyama Suishō (1879-1958)
 Signature
unread
 Seal  unread artist's seal (see above)
 Publication Date  between 1922-1923
 Edition  likely first edition, but the number of editions issued is unknown
 Publisher  Dai Chikamatsu zenshū kankōkai 大近松全集刊行会 (the Complete Work of Chikamatsu Publishing Association)
 Carver  Yamagishi Kazue 1893-1996
 Printer  Nishimura Kumakichi
 Impression  excellent
 Colors  excellent
 Condition  excellent - some apparent oxidation of pigment on hands and face
 Miscellaneous  all prints from this series printed on a light tan-colored paper
 Genre  shin hanga (new prints)
 Format  dai-oban
 H x W Paper  18 x 11 1/4 in. (45.7 x 28.6 cm)
 H x W Image  17 x 10 5/8 in. (43.2 x 27 cm) measurement includes gray border
 Collections This Print  Museum of Fine Arts, Boston 51.1754; The Tsubouchi Memorial Theatre Museum of Waseda University 201-0377 and 201-0378
 Reference Literature  

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