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Amanohashidate from the Picture Album of the Thirty-Three Pilgrimage Places of the Western Provinces

Nakazawa Hiromitsu (1874-1964)

Japanese Color Woodblock Print

Amanohashidate (print 36)

from the Picture Album of the Thirty-Three Pilgrimage Places of the Western Provinces

by Nakazawa Hiromitsu, 1925 and 1946

Illustrated Account of the Sino-Japanese War, Volume 7


IHL Cat. #2413.44
(from the complete 1925 album of prints IHL Cat. #2413)

IHL Cat. #2464 (1946)

About This Print

Nakazawa has captured one of his traveling companions in matanozoki, turning his back to Amanohashidate ("heavenly bridge"), bending down and admiring the view through his legs. Performing matanozoki gives the impression that the sandbar is truly a bridge to the heavens. 

Below on the right, we see a painting by Nakazawa, likely created at the end of his pilgrimage, similar to the finished print, shown left. The painting contains a poem by Nakazawa's traveling companion, the poeIshikura Suiyō reading 丹後天の橋立翠葉またのぞき なかざわ.

Detail of print from the album
8 1/2 x 11 5/8 in. (21.6 x 29.5 cm)
天橋立股のぞき Amanohashidate matanozuki 
11 x 16 1/4 in. (28.0 x 41.2 cm) 

On December 11, 1923, only a few months after the Great Kantō Earthquake devastated the Tokyo area, Nakazawa along with his two friends, the poet Ishikura Suiyō and the artist Akatsuka Chūichi, began their pilgrimage to the thirty-three temples of the Saigoku Kannon Pilgrimage, finishing after seventy-eight days.


Amanohashidate

Amanohashidate (天橋立) sandbar is one of the Three Views of Japan (日本三景, Nihon Sankei), along with Matsushima Bay and Itsukushima as appointed by the 17th century scholar and advisor to the Tokugawa shogunate, Hayashi Gahō (1618-1680).

image source: http://thekyotoproject.org/english/amanohashidate/

The Saigoku Kannon Pilgrimage (Saigoku sanjūsansho junrei) 

Japan's most famous pilgrimage, originating in the 11th century, encompasses 33 Buddhist temples in Western Japan (Kansai region) dedicated to Kannon (bodhisattva Avalokitasvara), the Bodhisattva of Compassion, who hears the cries of the world and assists anyone in distress.

The 33 temples on the approximately 1,000 kilometer pilgrimage route correspond to Kannon's ability to take on 33 different forms. One hundred thousand pilgrims navigate the route in its entirety or part each year.

Note: For a listing of all 33 temples go to https://en.wikipedia.org/wiki/Saigoku_Kannon_Pilgrimage. To access an interactive map of the route and its temples go to https://www.thetempleguy.org/p/saigoku-33-kannon-route.html and scroll down towards the bottom of the page.

About the "Picture Album of the Thirty-Three Pilgrimage Places of the Western Provinces" 

First issued in 1925 and reprinted in 1946, the 1925 album contains 58 prints and the 1946 album 59 prints. For detailed discussion of the two editions and additional information on the Saigoku Kannon Pilgrimage see this site's article Nakazawa Hiromitsu - Picture Album of the Thirty-Three Pilgrimage Places of the Western Provinces.

Nakazawa Hiromitsu - Picture Album of the Thirty-Three Pilgrimage Places of the Western Provinces
click on the image to go to the article

Print Details

 IHL Catalog
 #2413.44 (1925 first edition) and #2464 (1946 second edition)
 Title or Description  Amanohashidate (print 36)
 天橋立 (
 Series  Picture Album of the Thirty-Three Pilgrimage Places of the Western Provinces
 西国三十三所巡礼画巻 Saigoku sanjūsansho junrei gakan
 Artist  Nakazawa Hiromitsu (1874-1964)
 Signature
IHL Cat. #2413.44 (1925 release): 中澤弘光 [Nakazawa Hiromitsu] printed in lower right margin as shown left

IHL Cat. #2464 (1946 release): not signed
 Seal of the artist
弘 Hiro
left seal: IHL Cat. #2413.44 (1925 release)
right seal: IHL Cat. 2464 (1946 release)
 Publication Date  IHL Cat. #2413.44: Published September 28, 1925 大正十四年九月十八日発行 as printed in the 1925 album's colophon (see Album Box with Print of Kannon IHL Cat. #2413).
Note: an earlier date of June 15, 1925 大正十四年六月十五日 appears in the right margin of the print titled Matsunoo-dera [IHL Cat. #2245], the only print in the 1925 album which carries a date. This earlier date, however, is the date that the censor's approval was obtained, as further explained on this site's web page for Matsunoo-dera, rather than the publishing date.

IHL Cat. #2464: January 18, 1946 昭和二十一年一月十八日発行 [Individual prints in the 1946 release are not dated. This date taken from a 1946 album colophon.] 
 Publisher
 發行者 金尾種次郎 publisher Kanao Tanejirō
 發兌元 金尾文淵堂 publishing house Kanao Bun'endō
IHL Cat. #2413.44 (1925 release): 文淵堂版 [Bun'endō han] printed in lower right margin as shown left

IHL Cat. #2464 (1946 release): no publisher seal
 Carver  Okada Seijirō 岡田清次郎
Note: the album's colophon (see Album Box with Print of Kannon IHL Cat. 2413) lists two carvers, the above well-known Okada Seijirō and 大倉藤太郎, possibly read Okura Tōtarō, who I can find no information on. 
 Printer  IHL Cat. #2413.44 (1925 release): Nishimura Kumakichi 西村熊吉
Note: the colophon for the 1925 album (see Album Box with Print of Kannon IHL Cat. 2413) lists three printers, the above well-known Nishmura Kumakichi; 山県秀助, possibly read Yamagata Hidesuki, who I can find no information on, and 松本兄弟堂, a company founded in Osaka by Matsumoto Kisaburō 松本喜三郎 in 1923, which I believe did the letterpress printing. 

 IHL Cat. #2464 (1946 release): Nishimura Kumakichi 西村熊吉 and
Takagi Seikō (Takagi Kiyomitsu?) 高木淸光
Note: the above information is taken from the colophon included in the 1946 release. I could find no information on the second printer listed for the 1946 release 高木淸光.

Note on Nishimura Kumakichi: listed as one of the printers for both the 1925 and 1946 release, there is some uncertainty about the date of his death, although a birth date, either 1861 or 1862 [Guide to Modern Japanese Woodblock Prints, Merritt, p. 223], is generally accepted. A death date of 1941 is sometimes given and 1955 has been suggested, but Merritt provides no date of death. If he truly did the printing for the 1946 release he would have been around 85 at that time. 
 Impression  IHL Cat. #2413.44 (1925 release): excellent
 IHL Cat. #2464 (1946 release): excellent
 Colors   IHL Cat. #2413.44 (1925 release): excellent
 IHL Cat. #2464 (1946 release): excellent
 Condition  IHL Cat. #2413.44 good - edges of margin toned and soiled; minor paper loss edge of left margin
 IHL Cat. #2464 good - minor soiling and paper wrinkling
 Genre  shin hanga; shasei kikō (sketch-tour)
 Miscellaneous
print number 36 appearing in the right margin of the 1925 release
 Format  horizontal oban
 H x W Paper 
 IHL Cat. #2413.44 (1925 release): 10 1/8 x 15 3/16 in. (25.7 x 38.6 cm)
 IHL Cat. #2464 (1946 release): 9 3/4 x 13 7/8 (24.8 x 35.2 cm)
 H x W Image
 IHL Cat. #2413.44 (1925 release): 8 1/2 x 11 5/8 in. (21.6 x 29.5 cm)
 IHL Cat. #2464 (1946 release): 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm)
 Literature   Nakazawa Hiromitsu kenkyū: Hon karano kenshō, Hiromitsu Nakazawa, Mitsunobu Satō, et. al., Mitsui Kōkei, Tokyo, 2006, p. 46-48.
 Collections This Print
 National Diet Library Call Number 寄別7-8-2-5 (1925 album, no images displayed); National Library Board, Singapore BRN:9854371 (entire 1946 album, no images shown); British Library System number: 017018582 (entire 1946 album, no images shown)Harvard Yenching Library HOLLIS number 990082993710203941 (1925 album, no images displayed)

last revision:
3/31/2021
1/23/2021 created
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