About This Print

This print is one of at least forty prints created by the painter/manga artist Kondō Kōichiro (1884–1962) and the poet/journalist Inoue Kenkabō 井上剣花坊 (1870-1934) in 1930 which pair a senryū, mostly written by Kenkabō, with an illustration by Kondō.  In this print the senryū partially reads 鎧着〇交〇へ〇る〇〇い - and the illustration pictures a senior officer reprimanding a soldier for wearing the wrong uniform.

About The Series Senryū manga

In 1930 the painter/manga artist Kondō Kōichiro (1884–1962) and the poet/journalist Inoue Kenkabō (1870-1934) collaborated on a series of at least forty woodblock prints containing Kenkabō's senryū (short humorous verse) along with Kondō's illustrations, titled Senryū manga 川柳漫画.   The prints seem to have been grouped together in portfolios rather than sold individually and were published by Senryū Manga Kankōkai 川柳漫画刊行会 , most likely a creation of the two artists.

The National Diet Library has several prints from this series in their collection along with images of a portfolio cover, table of contents (although the table of contents does not match the prints they show as being in the portfolio) and colophon. Go to http://dl.ndl.go.jp/info:ndljp/pid/1015589 to see their holding and see pictures below.

click on image to enlarge source: National Diet Library  table of contents 日本美術院同人近藤浩一路氏畫 柳樽寺井上剣花坊氏撰書 川柳漫畫第二集豫定 followed by the listing of four senryū 以上 ｛一部賣定價金壹圓貳拾錢  繼續會員に限り 金  壹  圓｝

click on image to enlarge source: National Diet Library colophon sticker from back of portfolio 明治五年六月廿日印刷  明治五年六月廿一日発行 (pricing information) 東京市下谷区中根岸七十二番地  反印刷人 武田基一  東京市下谷区中根岸七十二番地  〇彩堂内  発行所 川柳漫刊行會 followed by contact information for publisher

What are Senryū?
Sources: Light Verse from the Floating World, Makoto Ueda, Columbia University Press, 1999, p. 32-33; Senryu Japanese Satirical Verses, R. H. Blyth, The Hokuseido Press, 1949.

A senryū is the expression of a moment of psychological insight into the life of human beings; nature is either absent or a mere background.  Like haiku, it is a short unrhymed verse with the 5–7–5 syllable pattern. Unlike haiku, however, it requires no word implying the season of the year, as it draws less on nature than on human nature. Whereas a haiku poet in general tries to capture a moment of insight into the mysterious workings of the natural world, a writer of senryū keenly studies various aspects of the human condition and reports his  findings in a humorous way, the humor sometimes crossing over to the territory of satire.

The word senryū is derived from the name of a person, Karai Senryū (1718–1790), who lived in the downtown district of Edo. His real name was Karai Hachiemon, and he made a living as the head official of his ward.  In 1757, for unknown reasons, he decided to make a debut as a master of maekuzuke, a verse-writing game played by a good many  people in Japan at that time.  Senryū, which literally means “river  willow,” was the professional name he adopted on becoming a master.

The revitalization and modernization of senryū in the early 1900s is credited to two journalists who worked for the daily newspaper Nihon Shimbun.  The first, Sakai Kuraki (1869–1945), promoted the restoration of the free spirit of senryū.  His  successor at the paper, Inoue Kenkabō (1870–1934), encouraged senryūwriters to take up topics characteristic of the emerging new society through his column called “Shindai yanagidaru” (Yanagidaru on Modern Topics).

Less than one year after the inauguration of Inoue's column, the number of contributors of senryū to the paper had increased to more than three hundred.  Soon senryū groups were being organized all over Japan, many of them starting their own magazines. By 1912, the number of such magazines published in Japan had reached fifty. Many major newspapers, weeklies, and monthlies also came to devote space to their readers’ senryū. The trend accelerated with time so that in 1935 of the more than two hundred national and local newspapers almost all had space dedicated to senryū.

About Inoue Kenkabō
Source: http://archive.li/f08u7

Inoue Kenkabō (1870-1934), writer of senryū (short, humorous verse), was born in Yamaguchi Prefecture in 1870. His real name was Inoue Koichi. After working as a substitute elementary school teacher and a reporter for a local newspaper, he moved to Tokyo in 1900 and began writing the arts column for the magazine, Myogi. Three years later, he joined the Nihon Shimbun newspaper. Using the pen name, Kenkabō, he began a column called Shindai yanagidaru, which advocated a new style of senryū.    In 1905, he founded a circle known as Ryūsonji Senryū Kai, which brought out its own magazine, Senryū. After retiring from Nihon Shimbun, Kenkabō continued to run the senryū sections of the Kokumin and Yomiuri newspapers and resurrected Senryū in 1912, renaming it Taisho Senryū,

to mark the beginning of the new era. All during this time, Kenkabō continued to encourage innovations in the senryū genre.

With the arrival of yet another era, Showa, in 1926, he again changed the name of the magazine, this time to Senryūjin. He also wrote the treatises, Proletariat Literature and Bourgeois Literature, and Senryū odo ron ("Royal Way of Senryū"), and contributed pieces to the magazines, Nihon oyobi Nihonjin ("Japan and the Japanese") and Kaizo ("Reconstruction"). 

Kenkabō's senryū are characterized by their grandeur and generosity. Although their aims were different, he and Sakai Kuraki shared the reputation of the most outstanding revivers of senryū. Kenkabō had disciples all around Japan, including Kawakami Santaro, Murata Shugyo and Kijirō (novelist Yoshikawa Eiji's senryū pen name). His works include Shin senryū rokusen ku ("Six Thousand New Senryū"), Senryū o tsukuru hito ni ("For Senryū Poets") and Ko senryū shinzui ("The Essence of Classical Senryū").

In 1934, Kenkabō came to the Shotoin temple in the precincts of Kenchoji temple to write a biography and recuperate from an illness, but he died later that year in September, at the age of 64. 

Print Details

IHL Catalog	#1553
Title/Description	unread [Senior officer gives subordinate a tongue lashing for wearing the wrong uniform]  鎧着〇交〇へ〇る〇〇い [partial transcription of senryū]
Series	Senryū manga 川柳漫画
Artist	Kondō Kōichiro (1884–1962)
Signatures	Kōichiro signature is not present 剣花坊 Kenkabō
Seal	none
Date	June 21, 1930  明治五年六月廿日印刷 Showa 5th year 6th month, 20th day, printed   明治五年六月廿一日発行 Showa 5th year 6th month, 21st day, issued   (dates are taken from the table of contents of the portfolio in the collection of the National Diet Library)
Edition	first and only
Publisher	川柳漫画刊行会 Senryū Manga Kankōkai
Printer	印刷人武田基一 printer Takeda Kiichi
Impression	excellent
Colors	excellent
Condition	excellent
Miscellaneous
Genre	senryū manga
Format	chuban
H x W Paper	9 5/16 x 6 11/16 in. (23.7 x 17 cm)
H x W Image	9 1/16 x 6 1/2 in. (23 x 16.5 cm)
Collections This Print
Reference Literature

last revision:

5/4/2021