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Minamoto no Yoshiie from the series Instructive Models of Lofty Ambitions

 

Japanese Color Woodblock Print

Minamoto no Yoshiie

from the series Instructive Models of Lofty Ambition

by Kobayashi Kiyochika, 1886

IHL Cat. #496

About This Print

Print number 71 in the series Instructive Models of Lofty Ambition picturing the 11th century samurai, and famed archer, Minamoto no Yoshiie 源義家 on horseback noticing the activity of a flock of geese who have been disturbed by the presence of enemy troops.

Kiyochika contributed 20 prints to this series.  As Smith states: "The style of Kiyochika’s offerings to Instructive Models of Lofty Ambition was decorous and even stiff, as befitted the didactic emphasis of the whole [series.]"2

1 The print numbers were sometimes inadvertently omitted as they were reprinted; some prints in the series were never assigned numbers and a few of the same numbers appeared on different prints.
2 Kiyochika Artist of Meiji Japan, Henry D. Smith II, Santa Barbara Museum of Art, 1988, p. 74.


The Story as Told in the Ōshū Gosannen Ki (Chronicle of the Later Three Years War in Mutsu Province)
Source: Warriors of Japan as Portrayed in the War Tales, Paul Varley, University of Hawaii Press, 1994, p. 42.
One of the most famous stories about Yoshiie in Ōshū concerns an incident that supposedly occurred as he led his army toward Kanazawa Stockade in what became the final battle of the Later Three Years War.  As the army approaches the stockade, Yoshiie sees a flock of geese rise from a field of grass and scatter.  Surmising that enemy soldiers hiding in the grass have disturbed the geese, he sends men to investigate.  More than thirty of the enemy are driven out of the grass and promptly put to death.  Yoshiie later reflects that study of Ōe no Masafusa's book on military strategy informed him that "when soldiers conceal themselves int he grasses of plains, they disturb flocks of geese."  Yoshiie's followers are impressed and grateful that their lord is so learned in the art of war.

Minamoto no Yoshiie

Source: The Samurai Archives SamuraiWiki http://wiki.samurai-archives.com/index.php?title=Minamoto_Yoshiie
Minamoto Yoshiie (1041-1108), a man who came to embody the spirit of the samurai and a legend even in his own time, was the son of Minamoto Yoriyoshi (995-1082). Yoriyoshi, the third generation of the Seiwa Genji, was a noted commander, and in 1051 was commissioned to defeat the rebellious Abe family of Dewa Province. The Abe had for years held prominent posts in this distant, forbidding region, and had come to assume a certain autonomy. Like Taira Masakado, the Abe had been tasked with subduing the northern barbarians, and, from the Court’s point of view, become barbarians themselves. They were in fact described as ebisu, a somewhat generic term which was also applied to the Ainu.

Yoriyoshi’s chief opponent was Abe Yoritoki, an unscrupulous character who died of an arrow wound in 1057. By this point in the so-called Former Nine-Years War, Yoriyoshi’s son Yoshiie had joined the expedition. A promising young warrior, Yoshiie participated in the Battle of Kawasaki (later in 1057) against Yoritoki’s heir Sadato. In a snowstorm, the Minamoto assaulted Sadato’s stronghold at Kawasaki and were driven back; in the course of the hard-fought retreat Yoshiie distinguished himself and earned the nickname ‘Hachimantaro’, or ‘First son (or First born) of the God of War (Hachiman)’. Abe Sadato comes across as an altogether more impressive man than his father, and proved a formidable foe even for Yoshiie and Yoriyoshi. Yet the Minamoto cause was much assisted by the enlistment of Kiyowara Noritake, a locally powerful figure whose rugged northern men swelled Yoriyoshi’s ranks.

In 1057 the fighting culminated in a series of actions that further enhanced Yoshiie’s reputation. Sadato had attacked the Minamoto troops but suffering a reverse retreated into a fort by the Koromo River. Yoriyoshi ordered a spirit assault on the fort, which Sadato was forced to flee. During the chaotic retreat, Yoshiie was supposed to have chased Sadato and had an impromptu renga (linked verse) session with his enemy from horseback, afterward allowing him to escape. The probability that the incident actually occurred is next to nil, but it made Yoshiie seem all the more colorful, and gave him an opponent worthy in both warfare and culture. In fact, the war was nearly over. Sadato continued his flight until he reached another fort, this one on the Kuriyagawa, and prepared for another stand. The government troops arrived and after a few days of fighting brought the fort down. Sadato and his son died, and his brother Muneto was captured. Yoshiie gave thanks to his namesake by establishing the Tsurugaoka Hachiman shrine near Kamakura on the way back to Kyoto. Yoriyoshi was awarded the governorship of Iyo Province for his services against the Abe while Yoshiie was named Governor of Mutsu. Interestingly, Abe Muneto was released into the custody of the Minamoto and lived in Iyo, becoming a companion of Yoshiie’s. In 1082 Yoriyoshi died.

In 1083 Yoshiie was commissioned by the Court to subdue another rebel, this time against the same Kiyowara family who had assisted the Minamoto in the previous war. After the Abe’s defeat, the Kiyowara had been elevated and filled the power vacuum in the north. A power struggle had broken out among various family members, and in the end Yoshiie was sent to quell the disturbance. The conflict became known as the Later Three-Year War and culminated, after a setback at Numu (1086), in the Battle of Kanazawa. In an incident that became a famous military anecdote, Yoshiie’s men were advancing to contact when a flock of birds began to settle in a certain spot then abruptly flew off. Yoshiie suspected an ambush and had the place surrounded, sure enough revealing the enemy army. Yoshiie went on to reduce Kanazawa through siege and the Later Three-Year War drew to a close. The Court was pleased that the Kiyowara had been suppressed, but viewed the conflict as outside the Court’s responsibility, as technically Yoshiie had not been commissioned by the emperor to fight. This meant that no rewards would be distributed to Yoshiie’s men, an unfortunate situation Yoshiie remedied by paying them himself with his own lands. This action greatly enhanced Yoshiie’s reputation and also secured lasting bonds of loyalty for the Minamoto in the Kanto region, bonds that would pay dividends in the following century.

Stinginess aside, the aristocracy held Yoshiie in near-awe, and Fujiwara Munetada dubbed him ‘The Samurai of the greatest bravery under heaven.’ At the same time, the Court kept Yoshiie at arm’s length. It did go so far as permitting Yoshiie to visit the Imperial Court in 1098; a rare honor that by it’s very rareness indicates the widening gulf between the Court and provincial houses. This alienation would in the end contribute to the eclipse of Imperial authority by the samurai in the later 12th Century.

Shrouded in mystery, elevated to an almost godlike status in the old chronicles, it is difficult to place Minamoto Yoshiie in a historical context. His greatest political contribution was probably in strengthening the Minamoto family, especially those branches residing in the Kanto. His other contribution was less tangible. The legend of Minamoto Yoshiie, who emerged from his northern wars and the chronicles as a cultured man of war, established a model for future samurai that would influence generations of warriors to come.


Scroll Detail

click to enlarge

please feel free to translate the scroll into English and share with me at ihl@myjapanesehanga

Transcription of Scroll

Source: with thanks to Yajifun http://yajifun.tumblr.com/

7 Minamoto no Yoshiie 源義家
教導立志基 七 源義家 小林清親 1886年
Transcription:
“源義家陸奥國數年の戰後宇治殿に参り戰の物語せしを大江匡房物蔭より聞て あはれ才あれど未だ兵法を知らず と獨言せしに義家の従者聞て之を告ぐ 義家怒る色なく直ちに匡房の許に至り弟子と成り學門す 後ち義家出羽金澤の城を攻し時一行の雁苅田に下りんとして俄に驚き行を亂して飛び返るを見て曰く 飛雁行を亂るは野に伏兵あるなり と四面より捜さしむるに果して敵三百餘騎を見出し大捷(かち)を得たりと 學乃益ある此一事をもて知るべし 夢の屋主人”


Later Reissue of 1902 with border removed



About The Series "Kyōdō risshi no motoi"


(Note: This series is variously translated as "Instructive Models of Lofty Ambition," "Foundations of Learning and Achievement," and "Self-made Men Worthy of Emulation."  The title in Japanese is sometimes seen as "Kyōdō risshiki.")

Source: Kiyochika Artist of Meiji Japan, Henry D. Smith II, Santa Barbara Museum of Art, 1988, p. 74-75 and as footnoted.
This series of 57 prints1 plus a summary catalog sheet was originally published between October 1885 and November 1890 by the Tokyo publisher Matsuki Heikichi 松木平吉.2  The summary catalog sheet issued by the publisher states that "fifty prints make up the complete set (五十番揃)".  Four prints not in the initial release were added over the five year publication period, as were three redesigns of original prints, eventually increasing the total print count to 57.  Artists contributing prints were Kobayashi Kiyochika (1847-1915) [20 prints], Mizuno Toshikata (1866-1908) [16 prints], Tsukioka Yoshitoshi (1839-1892) [4 prints], Inoue Yasuji (1864-1889) [13 prints], Toyohara Kunichika (1835–1900) [1 print], Utagawa Kuniaki (1835-1888) [1 print] and Yōshū Chikanobu (1838-1912) [2 prints].  Various colors (blue, blue/green and brown) were used for the decorative border and in 1902 the series was reissued by Matsuki without borders.

The series depicts famous individuals throughout Japanese history, from ancient times to the present, i.e. c. 1895.  Brief texts contained within a scroll-like cartouche in each print provide historical details.   The “lofty ambition” of the title is a Confucian concept, originally from Mencius, meaning “righteous determination that would inspire others.”  The market for the series probably included former samurai, ambitious youth, and conservative intellectuals.

"[W]hen it was completed in 1890 the publisher was singled out for special recognition by the government for having sponsored such noble subject matter."3


1 The Tokyo Metropolitan Library online collection shows 50 prints and a summary catalog sheet.  The catalog sheet lists the titles of 50 prints.  Smith in Kiyochika Artist of Meiji Japan identified 52 prints.  I have identified 57 prints from this series including three prints (Kesa Gozen, Soga Brothers and Hokiichi Hanawa) that were re-designed and re-printed, likely due to damaged or lost blocks.
2 I have read, but cannot recall where, that the series originally appeared as newspaper supplements.
3 The World of the Meiji Print: Impressions of a New Civilization, Julia Meech-Pekarik, Weatherhill, 1986, p. 122.



One of Five Prints from The Lavenberg Collection

loaned to the Portland Art Museum for the exhibition

"Legendary Samurai" September 14, 2013 to January 12, 2014


小林 清親画 教導立志基・ 源義

Kobayashi Kiyochika
(Japanese, 1847–1915)

Minamoto Yoshiie
From Instructive Models of Lofty Ambition
1886
Color woodblock print
Lent by The Lavenberg Collection of Japanese Prints

Minamoto Yoshiie (1039–1106) learned warfare serving under his father, Yoriyoshi, the governor of northern Japan. As the “teeth and claws” of the court, they subdued the rebellious northern clans. Yoshiie, said the reports from the field, “rides like thunder, leaps like the wind, and shoots arrows like a god: he is a truly an incarnation of the divine warrior.” Father and son were awarded court ranks and vast tracts of land in eastern Japan, establishing a power base for the Minamoto that lasted for centuries.

In a famous episode from Yoshiie’s career, illustrated here, he was on his way to lay siege to an enemy fortress when he noticed a flock of geese suddenly rising from a field. Suspecting an ambush, he had his troops surround the area. If true, the story suggests that Yoshiie was familiar with Chinese writings on military strategy




Print Details

 IHL Catalog
 #496
 Title or Description  Minamoto no Yoshiie 源義家
 Series “Instructive Models of Lofty Ambition” (Kyodo risshiki 教導立志基) [note: series title also listed as  'Kyodo Risshi no Moto', ‘Kyodo risshi no motoi’, ‘Kyōdō risshi ki’ and variously translated as “Moral of success” or “Foundations of learning and achievement” or “Self-made Men Worthy of Emulation”' or “Examples of Self-made Leaders” or "Paragons of instruction and success"] 
 Artist  Kiyochika Kobayashi (1847-1915)
 Signature  Kiyochika
 Seal  
Kiyochika below signature
 Publication Date  1886 [Meiji (明治)19]
 Publisher  Matsuki Heikichi (松木平吉) proprietor of Daikokuya
 Impression  excellent
 Colors  excellent
 Condition  good - Japanese album backing paper; borders slightly trimmed
 Genre  ukiyo-e
 Miscellaneous  on loan to the Portland Art Museum for "Legendary Samurai".  Portland Art Museum loan number L2013.80.3
 Format  vertical oban
 H x W Paper
 13 3/4 x 9 in. (34.9 x 22.9 cm)
 H x W Image
 12 1/2 x 8 1/4 in. (31.8 x 21 cm) area inside brocade border
 Literature
 
 Collections This Print
 Tokyo Metropolitan Library 280-K036; Smithsonian Institution Freer Sackler S1995.116.7 (green border)

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