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Mokuroku Kōjō from the series Annual Events of the Edo Theater

 

 Japanese Color Woodblock Print

Mokuroku Kōjō

(Index/Prologue)

from the series Annual Events of the Edo Theater

by Adachi Ginkō, 1897

Waki Kyogen from the series Annual Events of the Edo Theater


IHL Cat. #1308

page revised 6/5/18.

About This Print

Source: The British Museum http://www.britishmuseum.org/research/search_the_collection_database/search_object_details.aspx?objectid=781197&partid=1&searchText=adachi+ginko&fromADBC=ad&toADBC=ad&numpages=10&orig=%2fresearch%2fsearch_the_collection_database.aspx&currentPage=2
The title page providing a list of all twenty-five prints in the series Annual Events of the Edo Theater, originally published in 1897 by Hasegawa Sumi 長谷川寿美 (長谷川スミ).  The list of prints is provided in the form of a stage speech by the publisher.  The text is surrounded by the auspicious symbols of pine, bamboo and red plum. 


Ōedo Shibai Nenjū Gyōji (Annual Events of the Edo Theater) drawn by Adachi Ginko [with two prints, Yomitate (Public Reading) and Saruwaka Kyōgen, contributed by Torii Kiyosada (1844-1901)] is a set of twenty-six prints (including an index/prologue page), depicting the manners and customs relating to Kabuki plays/theaters in the Saruwaka-chō, the Kabuki theater district which flourished until 1867, the first year of the Meiji Era. The Ritsumeikan Art Research Center posits that this series was issued in response to the public's "remarkable nostalgia for [the] Edo period, the 'Great Tokugawa Epoch'."  It goes on to say that this series is a continuation of the many earlier Kabuki theater guidebooks which "introduce[d] not only about things on a stage but also properties, organization of theatres and backstage."  

Three Editions
At least three editions of this series were released.  One edition, likely the first edition, contains the publisher's name, Hasegawa Sumi, and associated publishing and printing information along the left margin.  This first edition, with the publishing information, is often found bound into volumes, with the margins of the prints trimmed back. My guess is that these bound volumes were created by the publisher. Another edition, likely a second edition, uses an embossed border around the entire image which is not present on the earlier edition.  Generally these second edition prints have wider margins than the first edition. It is possible that these second edition prints were sold by subscription.  A third edition, which appears to be printed from new blocks, as differences in composition in each print can be seen, is a less elaborate printing than the earlier editions.  Interestingly, this later edition uses the convention called komochiki of a thick notched line and thin black line framing the subjects, a popular Edo textile pattern thought to reflect iki taste (Edo chic).  Use of this type of framing is associated with kōkanfuda, a type of votive offering print.  (See IHL Cat. #1686 A Set of Three Nōsatsu Kōkanfuda - Fūjin the Wind God, Raijin the Thunder God, Calligraphic Cover Sheet for more information about kōkanfuda.)

Summary of Differences Between the Three Editions

1. First edition prints contain the publishing and printing information, including dates, along the left margin.  In the later edition of prints  only the Index/Prologue print contains any publishing information, with the publishing house 長谷川 板 (Hasegawa han), proceeded by the publisher's address embossed in the lower left corner.   No date is given on this print or any other later edition prints.
2. Most first edition prints contain the artist's signature and/or seal.  Later editions do not carry the artist's signature or seal.
3. Second edition prints contain an approximately 1/2" wide embossed border around the entire image area not present on the first edition.
4. Some second edition prints may have had the original blocks reworked.
5. Third edition prints were printed from new blocks and all have a thick notched line and thin black line framing the subjects.

A Comparison of the Three Editions
click on image to enlarge


Earlier Edition of This Print

Source: The British Museum 1983,0523,0.3.1
Note the presence of the publishing information in the print's left margin that is not present
on this collection's print which has the publisher's name and address embossed in its lower left corner 


The Complete Series (first edition)

click on image to enlarge
Translations of the prints, appearing above each print, have been taken from the British Museum's website.  The entire series can be seen at http://www.britishmuseum.org/system_pages/beta_collection_introduction/beta_collection_search_results.aspx?searchText=Annual+Events+of+the+Edo

Print Details

 IHL Catalog
 #1308
 Title or Description  Mokoroku kōjō 目録口上 (Prologue, Title sheet/table of contents)
 Series  Annual Events of the Edo Theatre
 (Ō-Edo shibai nenjū-gyōji  大江戸しばゐねんぢうぎやうじ)
 Artist  Adachi Ginkō (active 1874 – 1897)
 Signature  unsigned
 Seal of the Artist  no seal
 Publication Date  1897 (Meiji 30)
 Publisher
 embossed seal reading 長谷川 板 (Hasegawa han).  Seal of the publisher Hasegawa Sumi 長谷川 寿美  [Marks: seal not shown; publisher ref. 102]

(click on image to enlarge)
 Engraver 
 unknown
 Impression  excellent
 Colors  excellent
 condition  excellent - full size; not backed; soiling along bottom margin; diaganol folds both sides of bottom margin
 Genre  ukiyo-e 
 Miscellaneous  
 Format  vertical oban
 H x W Paper 
 16 x 10 3/16 in. (40.6 x 25.6 cm) 
 H x W Image
 14 7/8 x 9 7/8 in. (37.8 x 25.1 cm) 
 Literature 
 
 Collections This Print
 British Museum 1983,0523,0.3.1; The Tsubouchi Memorial Theatre Museum of Waseda University 201-0692; National Diet Library 寄別8-4-2-1; Tokyo Metropolitan Library 577-10-1; Art Research Center, Ritsumeikan University AcNo.arcUP2039 
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